From Beats to Frequencies: How Prodbyasli Is Redefining Sound in Persian Hip-Hop

From Beats to Frequencies: How Prodbyasli Is Redefining Sound in Persian Hip-Hop

At just 17, he’s producing the future of Persian hip-hop and quietly reshaping how we understand sound.

In a corner of Iran’s underground music scene, where laptops replace studios and teenagers compete with veteran producers, one name keeps surfacing: Prodbyasli (Mani Hosseinian). Born in 2007 in the city of Babol, he is part of a new generation of beatmakers self-taught, software-native, and globally aware.

But unlike many of his peers, Prodbyasli isn’t just chasing clout on SoundCloud. He’s building something deeper.

From guitar riffs at age 12 to beat packs at 14, his musical path has been surprisingly disciplined. Collaborating with Persian rap icons like Catchybeatz, Isam, Reza Pishro, Safaee, Mehyad, Vinak, Sijal, and others, he’s developed a sound signature that feels cinematic atmospheric pads, minimalist drums, melodies that whisper instead of shout.

But here’s where the story gets unusual.

While many producers focus solely on music charts, Prodbyasli turned his attention to something older, stranger frequencies. Not in the musical sense alone, but in the realm of healing vibrations, brainwave states, and chakra alignment.

His first book, Guitarboy: The Last Guitar Bender, is a crossover work: part music theory, part sound therapy, part spiritual toolkit. And if it sounds like a strange mix that’s the point.

This isn’t just the story of a kid making beats. It’s the story of how one artist is trying to tune not just a track but the listener’s mind.


Sound as Medicine: Inside Guitarboy and the Frequency Codes Behind the Music

When you first flip through Guitarboy: The Last Guitar Bender, you might expect a traditional guide to music production or a memoir of a teenage beatmaker. But what you find is more surprising a book written in a language of numbers, vibrations, and frequencies linked to healing.

At its core, Guitarboy proposes something bold:
That music is not just entertainment it’s energetic architecture, capable of reprogramming human emotions, calming trauma, and elevating spiritual states.

Prodbyasli outlines a series of frequencies from the familiar 432 Hz to less-discussed combinations like 639 Hz + 528 Hz each assigned to specific states of mind or internal organs. He maps them like a digital alchemist:

Frequency (Hz)Suggested UseEffect on Mind/Body
432 HzMeditation, Rest, Spiritual BalanceDeep calm, emotional release
528 HzDNA Repair, Self-LoveCellular alignment, confidence
639 HzRelationships, Social HarmonyHeart chakra, empathy, trust
741 HzIntuition, Inner GuidanceDetoxification, clarity
963 HzPineal Gland Activation, ConsciousnessTranscendence, sleep quality

These aren’t just theoretical claims. In the book, Prodbyasli shares anecdotes of producers, students, and even listeners who reported physical and psychological shifts after being exposed to certain frequency combinations usually embedded subtly in the background of his beats.

What makes Guitarboy different from other sound-healing guides is its dual identity:

  • It’s not marketed to the yoga or wellness crowd.
  • It’s embedded within the hip-hop community, disguised inside trap drums and lo-fi layers.

That stealth mode is part of the genius. Listeners are receiving therapy without knowing it. Healing not as prescription but as vibe.

Engineering Emotion: Why Prodbyasli Believes Beats Should Heal, Not Hype

For many producers in today’s digital music scene, a beat is a product a looped commodity optimized for virality, monetized through streaming, and often measured by how many TikTok videos it inspires.

But for Prodbyasli, a beat is something else entirely.
It’s not content. It’s contact.

“Every sound has an effect physical, emotional, spiritual. So why not make that effect healing?”

That simple question drives his creative philosophy:
Beats should raise the listener’s emotional state, not just trigger reactions or adrenaline. The goal isn’t hype. It’s harmony.

Where others chase clicks and clout, Prodbyasli is chasing clarity in the vibration of a snare, the decay of a reverb tail, the precise frequency of each synth layer. Every element is tuned like emotional architecture, built not to overwhelm, but to realign.

He talks openly about building a new kind of beatmaking in the years ahead: one that blends sound therapy with modern production, creating instrumentals that can reset a stressed mind, soften a racing heart, or center a scattered spirit.

He’s not alone in this vision. A growing number of musicians, especially in post-pandemic creative circles, are beginning to see music not just as escapism, but as recovery. And Guitarboy, in many ways, is a manifesto for this sonic shift.

In a world oversaturated with stimulation, the next frontier might not be louder beats or crazier drops.
It might be the subtle power of healing frequencies wrapped in beautiful, contemporary production.

And Prodbyasli the Guitar Bender is already building that future, one frequency at a time.

A Mentor for the Next Generation

Beyond plugins and patterns, Prodbyasli is emerging as a mentor for a new wave of young producers navigating the fast-paced, often confusing world of digital music. For Gen Z and even the early wave of Gen Alpha, he’s not just a beatmaker they see in him a blueprint for purpose-driven creativity.

His ethos is simple but rare: create beats that heal rather than hurt. Asli frequently speaks about the emotional responsibility of producers, arguing that the right frequencies can elevate moods, reduce anxiety, and build a sense of internal rhythm that’s often missing in today’s overstimulated lives. He’s publicly expressed his vision to build a library of beats tuned to frequencies that promote wellbeing, not just virality.

This philosophy, though spiritual at its core, is rooted in scientific and cultural understanding. He blends knowledge from sound therapy, neural entrainment, and music history to challenge the norms of “hard-hitting” production culture. His sessions aren’t just about kicks and snares they’re conversations between emotion and intent.

But Asli isn’t keeping this vision to himself. Through his book Guitarboy: The Last Guitar Bender, he offers a rare mix of autobiography, technique, and mindfulness showing young artists how to be more than just sound engineers. He’s hosted private Zoom workshops, run Discord communities, and is now working on a new educational project that blends sound design with emotional intelligence.

In a world of quick fame and algorithmic success, Prodbyasli is playing the long game. He’s betting on resonance over reach, on soul over speed, and on a generation ready to build deeper connections through music.

As more artists burn out chasing trends, Asli’s work stands as a quiet reminder: music that moves the world often begins by healing the self.


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